简单的短篇英语小说
㈠ 简单的英文小说(不要太长)加中英对译
《猫和狐狸》
It happened that the cat met Mr. Fox in the woods. She thought, "He is intelligent and well experienced, and is highly regarded in the world," so she spoke to him in a friendly manner, "Good-day, my dear Mr. Fox. How is it going? How are you? How are you getting by in these hard times?"
一只猫在森林里遇到一只狐狸,心想:“他又聪明,经验又丰富,挺受人尊重的。”於是它很友好地和狐狸打招呼:“日安,尊敬的狐狸先生,您好吗?这些日子挺艰难的,您过得怎么样?”
The fox, filled with arrogance, examined the cat from head to feet, and for a long time did not know whether he should give an answer. At last he said, "Oh, you poor beard-licker, you speckled fool, you hungry mouse hunter, what are you thinking? Have you the nerve to ask how I am doing? What do you know? How many tricks do you understand?"
狐狸傲慢地将猫从头到脚地打量了一番,半天拿不定主意是不是该和它说话。最后它说:“哦,你这个倒霉的长着胡子、满身花纹的傻瓜、饥肠辘辘地追赶老鼠的家伙,你会啥?有甚么资格问我过得怎么样?你都学了点甚么本事?”
"I understand but one," answered the cat, modestly.
“我只有一种本领。”猫谦虚地说。
"What kind of a trick is it?" asked the fox.
“甚么本领?”狐狸问。
"When the dogs are chasing me, I can jump into a tree and save myself."
“有人追我的时候,我会爬到树上去藏起来保护自己。”
"Is that all?" said the fox. "I am master of a hundred tricks, and in addition to that I have a sackful of cunning. I feel sorry for you. Come with me, and I will teach you how one escapes from the dogs."
“就这本事?”狐狸不屑地说,“我掌握了上百种本领,而且还有满口袋计谋。我真觉得你可怜,跟着我吧,我教你怎么从追捕中逃生。”
Just then a hunter came by with four dogs. The cat jumped nimbly up a tree, and sat down at its top, where the branches and foliage completely hid her.
就在这时,猎人带着四条狗走近了。猫敏捷地窜到一棵树上,在树顶上蹲伏下来,茂密的树叶把它遮挡得严严实实。
"Untie your sack, Mr. Fox, untie your sack," the cat shouted to him, but the dogs had already seized him, and were holding him fast.
“快打开你的计谋口袋,狐狸先生,快打开呀!”猫冲着狐狸喊道。可是猎狗已经将狐狸扑倒咬住了。
"Oh, Mr. Fox," shouted the cat. "You and your hundred tricks are left in the lurch. If you been able to climb like I can, you would not have lost your life."
“哎呀,狐狸先生,”猫喊道,“你的千百种本领就这么给扔掉了!假如你能像我一样爬树就不至於丢了性命了!”
㈡ 有什么英语短篇小说推荐
1. “A Good Man is Hard to Find,” Flannery O’Connor
Few short stories have stuck with us as much as this one, which is probably O'Connor's most famous work — and with good reason. The Misfit is one of the most alarming serial killers we've ever met, all the more so for his politeness, and the story’s moral is so striking and terrifying that — whether you subscribe to the religious undertones or not — a reader is likely to finish and begin to reexamine their entire existence. Or at least we did, the first time we read it.
《好人难寻》这篇小说是奥康纳最为著名的作品,很少有其他短篇小说能像这篇一样给我们带来震撼。无论你是否能明了宗教般的潜在含义,看完这篇小说读者都会开始或是结束对存在的检视。
2. “The School,” Donald Barthelme
This story is very short, but pretty much perfect in every way. Though Barthelme is known for his playful, post modern style, we admire him for his ability to shape a world so clearly from so few words, chosen expertly. Barthelme never over explains, never uses one syllable too many, but effortlessly leads the reader right where he wants her to be. It's funny, it's absurdist, it's sad, it's enormous even in its smallness. It may be this writer’s favorite story of all time. You should read it.
这篇小说很短,但是堪称完美。巴塞尔姆的优秀就在于他能用精选的极少几个文字就为我们叙述了一个世界。他很少过多地解释,就把读者带到了他想要你去地方。
3. “In The Penal Colony,” Franz Kafka
Kafka called this one his“dirty story,”and thought it imperfect, but it's one of our favorites of his (though we also recommend “The Hunger Artist”and“A Country Doctor”). It's so obviously a story about writing, in some ultimate way — a machine punishes its victims by writing on them over and over until their bodies give out — but its as if, while the body is the source of every problem in the tale, every weakness, it is also the only place where true knowledge can be translated.
卡夫卡称自己的这篇小说是一个“很脏的故事”,认为并不完美,但是这个短篇确实我们的最爱之一。在小说中,我们可以体会到,身体是一切问题和弱点的根源,但身体也是唯一能转化真知的地方。
4. “Signs and Symbols,”Vladimir Nabokov
Another short one, we revere this story for its ability to turn every tiny detail into a portentous disaster, not to mention the fact that it's penned in Nabokov's effortlessly gorgeous, silvery prose. An old Jewish couple goes to visit their son in the mental hospital, only to be turned away because he has attempted to kill himself. And that's it, really. They go home and look though a photo album, eat some jam. The phonerings. But the whole thing is, perhaps, both a comment on the nature of insanity and the nature of the short story itself, with all its rules and strangeness and banality. And all its symbols, of course.
我们喜欢这篇小说的原因就在于,这个故事有能力把每个细微的细节瞬间变为一场灾难,而Nabokov在写这篇小说用的是轻松华丽水银泻地般的散文风格。
5. “Gooseberries,” Anton Chekhov
Chekhov's stories are indisputably among the greats, and this one, written rather late, is one of our favorites. Chekhov probes at both the frailty and the worth of humanity, not to mention the natureof life, both for the fortunate and the unfortunate. But like most of Chekhov's stories, there's no clear moral, there's no obvious takeaway. Some men sit around and discuss their thoughts, and we listen, mulling over the subtleties for ourselves.
契科夫的小说无疑是最伟大的作品之一,而这篇是我们的最爱。这篇小说像他的其他小说一样,没有清晰的道德标准,我们只是静静地看着几个人围坐着,讨论他们的思想。
6. “Sea Oak,” George Saunders
“Sea Oak” is Saunders's favorite of his own stories, we've heard, so because we find it so hard to choose among them, we've included it here on his own recommendation. Absurdist and satirical, and including at least one zombie shouting at her housemates to get laid, it's a weird one. But it's also concerned with placelessness, with family, with poverty, and like all of Saunders's stories, has a good, thumping heart under all that darkness and fun-poking.
这部小说是桑德斯最为喜爱的一步短篇,这也是我们听说的。因为我们很难做出选择,因此就把他自己的推介放在了这里。这部小说充满了荒诞和讽刺,但是也关心家庭和贫穷等问题。像他的其他小说一样,在黑暗和取笑中,也暗含着美好和快乐。
7. “The Ones Who Walk Away From Omelas,” Ursula K. LeGuin
LeGuin's parabolic tale, which won the Hugo Award for best short story in 1974, is a weird, spacious story about a city that seems to be a utopia — except for its one flaw, the single child that must always be kept in darkness and wretched misery so that the others may all live happily. Most of the citizens eventually accept this, but some do not, and silently leave the city, vanishing into the world around. Strange but pointed, Le Guin is a master of her genre.
勒古这部寓言般的短篇小说获得过1974年的“雨果奖”,是关于一个类似乌托邦的城市的荒诞又宏大的故事。
8. “The Veldt,” Ray Bradbury
This tale, from one of the greatest science fiction writers in history, is deliciously wicked. Though it was written in 1950, this kind of story — of children driven mad by want, of technology turning on its masters — will never get old. Until technology actually turns on us, that is. Then we probably won't want to hear about it.
布莱伯利作为历史上最富盛名的科幻小说家,这篇小说也是通过精心编写的。
9. “The Bear Came Over the Mountain,” Alice Munro
The undisputed queen of the short story, Alice Munro’s work is stark and often heartbreakingly raw, and this story of memory loss and the aching tenderness of human interaction is no different. Fun fact: this story was adapted into the film “Away from Her”, starring Julie Christie and Gordon Pinsent.
门罗是毫无争议的短篇小说女王,她的作品有一种朴实风格,常常带着心跳般的粗犷,这篇关于丧失记忆以及人类互动中的痛苦和柔弱的小说也不例外。
10. “The Nose,” Nikolai Gogol
Gogol might be the oldest writer on this list, but he’s also one of the weirdest — in a good way. Nabokov once wrote, “In Gogol…the absurd central character belongs to the absurd world around him but, pathetically and tragically, attempts to struggle out of it into the world of humans — and dies in despair.” What else can an absurd noseless man do, after all?
果戈里应该是这个书单上最久远的作家了,但是他也是最荒诞的小说家之一。纳博科夫曾近这样写道:“在果戈里的作品中,荒诞的人物属于他周围荒诞的世界,但是却可怜兮兮且悲惨地要逃离他的世界,最终死于绝望”。
㈢ 求1000字以内英语短篇小说!
《蒙娜丽莎》风波
On Tuesday August 11th, 1911, a young artist, Louis Beraud, arrived at the Louvre(卢浮宫) in Paris to complete a painting of the Salon Carre(卡雷沙龙,卢浮宫的画廊名). This was the room where the world 's most famous painting, the Mona Lisa by Leonardo da Vinci(列奥那多·达·芬奇), was on display. To his surprise there was an empty space where the painting should have been. At 11 o'clock the museum authorities realized that the painting had been stolen. The next day headlines all over the world announced the theft.
这一天是1911年8月11日,星期二,一位年轻的艺术家路易斯·贝劳德来到了巴黎卢浮宫的卡雷沙龙画廊完成一幅油画,在这条画廊里陈列着世界上最著名的油画——列奥纳多·达·芬奇创作的《蒙娜丽莎》。令路易斯感到吃惊的是,本该挂着油画的地方却是空空荡荡的。中午11时博物馆馆方意识到这幅名画已经被盗了。第二天全球各大报刊的头条新闻都报道了《蒙娜丽莎》被盗的消息。
Actually the Leonardo had been gone for more than twenty-four hours before anyone noticed it was missing. The museum was always closed on Mondays for maintenance(维修). Just before closing time on Sunday three men had entered the museum, where they had hidden themselves in a storeroom. The actual theft was quick and simple. Early the next morning Perrugia removed the painting from the wall while the others kept watch. Then they went out a back exit.
实际上,直到达·芬奇的这幅画被盗24小时后才有人发现此事。每逢星期一卢浮宫都要闭馆例行保养文物。就在星期天,有三个人进入了博物馆并藏在贮藏室里。他们的盗窃行动迅速而简单,第二天一大早,三个盗贼之一佩鲁吉亚从墙上取下《蒙娜丽莎》,其余两个为他望风,然后他们从后门溜走逃得无影无踪了。
Nothing was seen or heard of the painting for two years when Perrugia tried to sell it to a dealer for half a million lire(里拉). Perrugia was arrested on December 13th. Perrugia claimed he had stolen it as an act of patriotism(爱国主义), because, he said, the painting had been looted from the Italian nation by Napoleon(拿破仑). Perrugia was imprisoned for seven months. It seemed that the crime of the century had been solved.
《蒙娜丽莎》在被盗后的两年间一直杳无音迅,直到有一天佩鲁吉亚想以50万里拉卖给一个文物贩子时,人们才重新见到它。佩鲁吉亚于1913年12月13日被捕,他宣称偷《蒙娜丽莎》之举完全是出于爱国心。他说,卢浮宫的这幅画是被拿破仑从意大利抢劫来的。佩鲁吉亚为此被判了7个月的监禁,看来这个世纪奇案好像是解决了。
But had it? Perrugia was keen to claim all responsibility for the theft, and it was twenty years before the whole story came out. In fact Perrugia had been working for two master criminals, Valfierno and Chaudron, who went unpunished for their crime. They would offer to steal a famous painting from a gallery for a crooked(不诚实的) dealer or an unscrupulous(肆无忌惮的) private collector. They would then make a of the picture and, with the help of bribed gallery attendants(服务员), would then tape the to the back of the original(原始的) painting. The dealer would then be taken to the gallery and would be invited to make a secret mark on the back of the painting. Of course the dealer would actually be marking the . Valfierno would later proce forged(伪造) newspaper cuttings announcing the theft of the original, and then proce the , complete with secret marking. If the dealer were to see the painting still in the gallery, he would be persuaded that it was a , and that he possessed the genuine(真正的) one.
果真如此吗?佩鲁吉亚试图把这次盗窃案的全部责任都揽到自己身上。直到二十年后,整个事件的真相才大白于天下。事实上,佩鲁吉亚一直在为两个犯罪头目瓦尔菲尔诺和肖德龙工作。在这个案件中,另两个家伙一直逍遥法外。瓦尔菲尔诺和肖德龙经常从陈列馆偷窃名画提供给奸诈的商人或肆无忌惮的私人收藏家。他们先制作名画的赝品,然后向博物馆的工作人员行贿,以便在博物馆工作人员的协助下将伪造品粘在原作的背后,尔后他们再将文物贩子带到陈列室,并要他在要买的那幅画的背面做上秘密的记号。当然,事实上文物贩子只是在赝品的背面作记号。在此之后,瓦尔菲尔诺就伪造一些剪报宣称原作被盗,然后拿出带有秘密记号的赝品。如果买画的贩子看见画仍然在展出,偷盗者将说服他相信展出的画是赝品,而卖给他的才是真正的原作。
Chaudron then painted not one, but six copies of the Mona Lisa, using 400-year-old wood panels from antique Italian furniture. The forgeries(赝品) were carefully aged, so that the varnish(光泽) was cracked and dirty. Valfierno commissioned Perrugia to steal the original, and told him to hide it until Valfierno contacted him. Perrugia waited in vain in a tiny room in Paris with the painting, but heard nothing from his partners in crime. They had gone to New York, where the six copies were already in store. They had sent them there before the original was stolen. At that time it was quite common for artists to old masters, which would be sold quite honestly(合法的) as imitations(仿造品), so there had been no problems with US Customs. Valfierno went on to sell all six copies for '300,OOO each. Valfierno told the story to a journalist in 1914, on condition that it would not be published until his death.
肖德龙不仅伪造了一幅,而是六幅《蒙娜丽莎》。他用400年前古意大利老家具做油画板,所有赝品均经过了细心的老化处理,以使油画表面产生裂缝显得不干净。瓦尔菲尔诺指派佩鲁吉亚盗走《蒙娜丽莎》的真品并叫他躲藏起来直到与他取得联系。佩鲁吉亚一直带者那幅画首在巴黎的一间小屋里,可是他却一直未见同伙们的踪迹。原来瓦尔菲尔诺和肖德龙早已跑到了纽约,那里储存着六幅《蒙娜丽莎》的赝品。他们在原作被盗前就已将赝品运到了美国。在那个时代,艺术家们复制已故大师的作品是司空见惯的事情,而且复制品还能够合法地在市场上进行交易,因此复制品可以毫不费力地通过美国海关。在美国瓦尔菲尔诺以每幅300,000美元的价格陆续将这六幅《蒙娜丽莎》赝品出售。1914年瓦尔菲尔诺将事件真相透露给了一位记者,条件是只有等到他死后才能将此事公之于众。
Does the story end there? Collectors have claimed that Perrugia returned a . It is also possible that Leonardo may have painted several versions of the Mona Lisa, or they might be copies made by Leonardo's pupils. There has been a lot of controversy and argument about a 450-year-old painting, but after all, maybe that's what she's smiling about.
事情就此了解了吗?收藏专家们宣称佩鲁吉亚还回的《蒙娜丽莎》或许是赝品。或许当初达·芬奇创作了几个不同版本的《蒙娜丽莎》;或许这些《蒙娜丽莎》皆为达·芬奇的学生们制作的复制品。因此迄今为止人们对于这幅有着450年左右历史的名画,仍有着诸多的争议。也许,这就是蒙娜丽莎微笑的原因吧!
㈣ 英语短篇小故事带翻译简单【10篇】
【 #能力训练# 导语】英语是世界上通用的语言,而英语的学习是很枯燥的,想要学好英语不妨先从阅读英语故事开始。从英文故事中学习,提高英文水平。从故事中学习,学到人生的哲理。下面是 分享的凳肢英语短篇小故事带翻译简单【10篇】。欢迎阅读参考!
1.英语短篇小故事带翻译简单
A wolf was almost dead with hunger. A house-dog saw him, and asked, "Friend, your irregular life will soon ruin you.
"Why don't you work steadily as I do, and get your food regularly?"
"I would have no objection," said the wolf, "if I could only get a place." "I will help you," said the dog. "Come with me to my master, and you shall share my work."
So the wolf and the dog went to the town together.On the way the wolf saw that there was no hair around the dog's neck.He felt quite surprised, and asked him why it was like that?
"Oh, it is nothing," said the dog. "Every night my master puts a collar around my neck and chains me up. You will soon get used to it."
"Is that the only reason?" said the wolf. "Then good-bye to you, my friend. I would rather be free."
翻译:
一只狼快要饿死了,一只狗看见后问他:“你现在的无规律的生活一定会毁掉你,为什么不像我一样稳定地干活并有规律地获得食物呢?”
狼说:“如果我有个地方住,我没有意见。”狗回答说:“跟尘余我到主人那里去,我们一枣兄世起工作。”于是狼和狗一起回到了村子。
在路上,狼注意到狗的脖子上有一圈没有毛,他很奇怪地问为什么会那样。
“噢,没有什么,”狗说,“我的主人每天晚上都用一条铁链子拴住我,你很快就会习惯的。”“就是因为这个原因吗?”狼说道,“那么,再见了,我的朋友,我宁愿选择自由。”
寓意: 自由比安乐更重要。
2.英语短篇小故事带翻译简单
When a lion was asleep, a little mouse began running up and down beside him. This soon wakened the lion. He was very angry, and caught the mouse in his paws.
"Forgive me, please." cried the little mouse. "I may be able to help you someday." The lion was tickled at these words.
He thought, "How could this little mouse help me?" However he lifted up his paws and let him go.
A few days later, the lion was caught in a trap.
The hunters wanted to take him alive to the king, so they tied him to a tree, and went away to look for a wagon.
Just then the little mouse passed by, and saw the sad lion.
He went up to him, and soon gnawed away the ropes. "Was I not right?" asked the little mouse.
狮子与报恩的老鼠
狮子睡着了,有只老鼠在他的周围爬上爬下,很快吵醒了狮子,狮子很生气,一把抓住了老鼠。
“饶了我吧,”老鼠请求说,“也许有一天我能帮上你的忙呢。”狮子觉得很好笑,他想:“这只小老鼠怎么能帮上我的忙?”但他还是抬起爪子放他走了。
不久,狮子被陷阱困住了。猎人们想将活狮子献给国王,就把他捆在一棵大树上,然后去找马车。
这时,老鼠路过这里,看到了绝望中的狮子。他走过去,很快啃断了绳索,说:“我虽小,可是我也能帮上你的忙。”
寓意: 有些朋友也许平时看似微不足道,但却有可能在我们身处困境的时候提供巨大的帮助。
3.英语短篇小故事带翻译简单
an old woman had a cat. the cat was very old; she could not run quickly, and she could not bite, because she was so old. one day the old cat saw a mouse; she jumped and caught the mouse. but she could not bite it; so the mouse got out of her mouth and ran away, because the cat could not bite it.
then the old woman became very angry because the cat had not killed the mouse. she began to hit the cat. the cat said, "do not hit your old servant. i have worked for you for many years, and i would work for you still, but i am too old. do not be unkind to the old, but remember what good work the old did when they were young."
翻译
一位老妇有只猫,这只猫很老,它跑不快了,也咬不了东西,因为它年纪太大了。一天,老猫发现一只老鼠,它跳过去抓这只老鼠,然而,它咬不住这只老鼠。因此,老鼠从它的嘴边溜掉了,因为老猫咬不了它。
于是,老妇很生气,因为老猫没有把老鼠咬死。她开始打这只猫,猫说:“不要打你的老仆人,我已经为你服务了很多年,而且还愿意为你效劳,但是,我实在太老了,对年纪大的不要这么无情,要记住老年人在年青时所做过的有益的事情。”
4.英语短篇小故事带翻译简单
A wild ass1 saw a pack-ass jogging along under a heavy load, and taunted2 him with the condition of slavery in which he lived, in these words: "What a vile3 lot is yours compared with mine! I am free as the air, and never do a stoke of work; and, as for fodder4, I have only to go to the hills and there I find far more than enough for my needs. But you! You depend on your master for food, and he makes you carry heavy loads every day and beats you unmercifully." At that moment a lion appeared on the scene, and made no attempt to molest5 the pack-ass owing to the presence of the driver, but he fell upon the wild ass, who had no one to protect him, and without more ado made a meal of him.
It is no use being your own master unless you can stand up for yourself.
一头野驴看到一头家驴背负这沉重的货物一路小跑,便讥讽他过着奴隶般的生活:“和我相比,你过得多么卑微呀!我自由自在地享受着大自然,从不下苦力,说道食物,我只需要跑到山上去,就能发现大量吃的东西。再看看你!只能依靠主人施舍吃点,他不仅每天都让你驮重物,还无情地鞭打你。”这时,一只狮子出现在他们的视野中,由于驴夫的出现,狮子没有骚扰家驴,直接扑向了没有保护者的野驴,立即吃掉了野驴。
除非能照顾好自己,否则做自己的主人一点用也没有。
5.英语短篇小故事带翻译简单
A singing-bird was confined1 in a cage which hung outside a window, and had a way of singing at night when all other birds were asleep. One night a bat came and clung2 to the bars of the cage, and asked the bird why she was silent by day and sang only at night. "I have a very good reason for doing so," said the bird: "it was once when I was singing in the daytime that a fowler was attracted by my voice, and set his nets for me and caught me. Since then I have never sung except by night." But the bat replied, "It is no use your doing that now when you are a prisoner. If only you had done so before you were caught, you might still have been free."
Precautions3 are useless after the event.
一只画眉鸟被囚禁在窗外挂着的一个笼子里,当其他鸟儿都酣睡时,她却在夜里唱歌。有一个夜晚,蝙蝠飞过来,抓住鸟笼的.栅栏,问她为什么白天默默无声,却在夜里放声歌唱。小鸟回答说:“我这样做是有道理的,曾经有一次,当我在白天唱歌时,一个捕鸟人被我的歌声吸引,就用鸟笼子捉住了我。从此我只在夜里歌唱。”可是,蝙蝠却说:“你现在这样做根本没用了,因为你已经成为阶下囚。若是在被捉住之前这样做就好了,那样或许你依然是自由之身!”
待事情发生之后再预防,为时已晚。
6.英语短篇小故事带翻译简单
Long ago,there was a big cat in the house. He caught many mice while they were stealingfood.
One day the mice had a meetingto talk about the way to deal with their common enemy. Some said this,, andsome said that.
At last a young mouse gotup, and said that he had a good idea.
"We could tie a bellaround the neck of the cat. Then when he comes near, we can hear the sound ofthe bell, and run away."
Everyone approved of thisproposal, but an old wise mouse got up and said, "That is all very well,but who will tie the bell to the cat?" The mice looked at each other, butnobody spoke.
从前,一所房子里面有一只大猫,他抓住了很多偷东西的老鼠。
一天,老鼠在一起开会商量如何对付他们奇特的敌人。会上大家各有各的主张,最后,一只小老鼠站出来说他有一个好主意。
“咱们可能在猫的脖子上绑一个铃铛,那么如果他来到附近,咱们听到铃声就能够立即逃跑。”
大家都同意这个主意,这时一只聪明的老耗子站出来说:“这确切是个绝妙的主意,然而谁来给猫的脖子上绑铃铛呢?”老鼠们面面相觑,谁也不谈话。
寓意:有些事件说起来容易,做起来却很难。
7.英语短篇小故事带翻译简单
Father had a family of sons who were perpetually quarrelling among themselves. When he failed to heal their disputes by his exhortations, he determined to give them a practical illustration of the evils of disunion; and for this purpose he one day told them to bring him a bundle of sticks. When they had done so, he placed the faggot into the hands of each of them in succession, and ordered them to break it in pieces. They each tried with all their strength, and were not able to do it.
He next unclosed the faggot, and took the sticks separately, one by one, and again put them into their hands, on which they broke them easily. He then addressed them in these words: “My sons, if you are of one mind, and unite to assist each other, you will be as this faggot, uninjured by all the attempts of your enemies; but if you are divided among yourselves, you will be broken as easily as these sticks.”
一位父亲有几个孩子,这些孩子时常发生口角。他丝毫没有办法来劝阻他们,只好让他们看看不合群所带来害处的例子。为了达到这个目的,有一天他叫他们替他拿一捆细柴来。当他们把柴带来时,他便先后地将那捆柴放在每一个孩子的手中,吩咐他们弄断这捆柴。他们一个个尽力去试,总是不能成功。
然后他解开那捆柴,一根根地放在他们手里,如此一来,他们便毫不费力地折断了。于是他就告诉他们说:“孩子们!如果你们大家团结一致,互相帮助,你们就像这捆柴一样,不能被你们的敌人折断;但如果你们自行分 裂,你们就将和这些散柴一般,不堪一折了。”
8.英语短篇小故事带翻译简单
A self-important lion in the jungle tried to make his mastery clear to all.
He was so confident that he paid no attention to the smaller animals and went right up to a bear. He asked the bear, "Who is the king of the jungle?" The bear replied, "Of course you are."
Then the lion asked a tiger the same question. The tiger replied with some reluctance1, "Of course you are." And then he went to ask an elephant. But the elephant would not allow the lion to do so. He suddenly took hold of the lion with his long nose and bounced2 the lion against a tree, leaving him bleeding3 and badly shaken up.
When the lion finally got up, he blamed the elephant and said: "Even if you couldn't answer my question, it's not necessary for you to act so rough4."
热带丛林里的一个妄自菲薄的狮子试图使所有的动物都明白它的统治地位。
它非常自信,对较小的动物不屑一顾,而是直接去问一只黑熊:“谁是丛林里的大王呀?” 黑熊回答说:“当然是你呀。”
于是它又去问一个老虎同样的问题。老虎有点勉强地回答说:“当然是你呀!”然后他又去问一头大象。可是大象不买它的账,突然用它的长鼻子把狮子抓起来向一棵树扔过去,让它鲜血淋漓和浑身发抖。
狮子终于爬起来时,它责怪大象说:“即使你回答不了我的问题,也用不着这么粗鲁嘛。”
9.英语短篇小故事带翻译简单
A Fine Match
One day a lady saw a mouse running across her kitchen floor. She was very afraid of mouse, so she ran out of the house, got into a bus and went to the shops. There she bought a mousetrap. The shopkeeper said to her, "Put some cheese in it and you will soon catch that mouse."
The lady went home with her mousetrap, but when she looked in her cupboard, she could not find any cheese in it. She did not want to go back to the shop, because it was very late, so she cut a picture of some cheese out of a magazine and put that in the trap.
Surprisingly, the picture of the cheese was quite successful! When the lady came down to the kitchen the next morning she found a picture of a mouse in the trap beside the picture of the cheese!
势均力敌
有一天某位女士看到一只老鼠在自家的厨房地板上窜过。她很害怕老鼠,所以她冲出屋子,搭上了公共汽车直奔商店。在那儿,她买了一只老鼠夹。店主告诉她:“放点奶酪在里面,很快你就会逮住那只老鼠的。”
这位女士带着鼠夹回到家里,但她没有在碗橱里找到奶酪。她不想再回到商店里去,因为已经很晚了。于是,她就从一份杂志中剪下一幅奶酪的图片放进了夹子。
令人称奇的是,这画有奶酪的图片竟然奏效了!第二天早上,这位女士下楼到厨房时,发现鼠夹里奶酪图片旁有一张画有老鼠的图片!
10.英语短篇小故事带翻译简单
naughty Monkey
It’s very hot. An old man is asleep on the chair. A fly comes and sits on the end of the man’s nose. The old man has a naughty monkey. He chases the fly. The fly comes back again and sits on the old man’s nose again. The monkey chases it away again and again. This happens five or six times. The monkey is very angry. He jumps up, runs to the garden and picks up a large stone. When the fly sits on the old man’s nose again, the monkey hits it hard with the stone. He kills the fly and breaks the old man’s nose.
调皮的猴子
天气很热。一位老人在椅子上睡着了。 一只苍蝇飞来落在老人的鼻子上。 老人有一只顽皮的猴子。猴子在追打苍蝇。 苍蝇再次飞落在老人的鼻子上,猴子一再追打苍蝇。 这样往返了五六次,猴子很生气。 他跳着跑到花园,捡起一块大石头。 当苍蝇再次落在老人的鼻子上时,猴子用石头击中老人的鼻子上的苍蝇。他砸死了苍蝇也打破了老人的鼻子。
㈤ 英语短篇小说
英语短篇小说
Appointment With Love --By Sulamith Ish-Kishor
Six minutes to six, said the great round clock over the information booth in Grand Central Station. The tall young Army lieutenant who had just come from the direction of the tracks lifted his sunburned face, and his eyes narrowed to note the exact time. His heart was pounding with a beat that shocked him because he could not control it. In six minutes, he would see the woman who had filled such a special place in his life for the past 13 months, the woman he had never seen, yet whose written words had been with him and sustained him unfailingly.
He placed himself as close as he could to the information booth, just beyond the ring of people besieging the clerks...
Lieutenant Blandford remembered one night in particular, the worst of the fighting, when his plane had been caught in the midst of a pack of Zeros. He had seen the grinning face of one of the enemy pilots.
In one of his letters, he had confessed to her that he often felt fear, and only a few days before this battle, he had received her answer: "Of course you fear...all brave men do. Didn't King David know fear? That's why he wrote the 23rd Psalm. Next time you doubt yourself, I want you to hear my voice reciting to you: 'Yea, though I walk through the valley of the shadow of death, I shall fear no evil, for Thou art with me.'" And he had remembered; he had heard her imagined voice, and it had renewed his strength and skill.
Now he was going to hear her real voice. Four minutes to six. His face grew sharp.
Under the immense, starred roof, people were walking fast, like threads of color being woven into a gray web. A girl passed close to him, and Lieutenant Blandford started. She was wearing a red flower in her suit lapel, but it was a crimson sweet pea, not the little red rose they had agreed upon. Besides, this girl was too young, about 18, whereas Hollis Meynell had frankly told him she was 30. "Well, what of it?" he had answered. "I'm 32." He was 29.
His mind went back to that book - the book the Lord Himself must have put into his hands out of the hundreds of Army library books sent to the Florida training camp. Of Human Bondage, it was; and throughout the book were notes in a woman's writing. He had always hated that writing-in habit, but these remarks were different. He had never believed that a woman could see into a man's heart so tenderly, so understandingly. Her name was on the bookplate: Hollis Meynell. He had got hold of a New York City telephone book and found her address. He had written, she had answered. Next day he had been shipped out, but they had gone on writing.
For 13 months, she had faithfully replied, and more than replied. When his letters did not arrive she wrote anyway, and now he believed he loved her, and she loved him.
But she had refused all his pleas to send him her photograph. That seemed rather bad, of course. But she had explained: "If your feeling for me has any reality, any honest basis, what I look like won't matter. Suppose I'm beautiful. I'd always be haunted by the feeling that you had been taking a chance on just that, and that kind of love would disgust me. Suppose I'm plain (and you must admit that this is more likely). Then I'd always fear that you were going on writing to me only because you were lonely and had no one else. No, don't ask for my picture. When you come to New York, you shall see me and then you shall make your decision. Remember, both of us are free to stop or to go on after that - whichever we choose..."
One minute to six - Lieutenant Blandford's heart leaped higher than his plane had ever done.
A young woman was coming toward him. Her figure was long and slim; her blond hair lay back in curls from her delicate ears. Her eyes were blue as flowers, her lips and chin had a gentle firmness. In her pale green suit, she was like springtime come alive.
He started toward her, entirely forgetting to notice that she was wearing no rose, and as he moved, a small, provocative smile curved her lips.
"Going my way, soldier?" she murmured.
Uncontrollably, he made one step closer to her. Then he saw Hollis Meynell.
She was standing almost directly behind the girl, a woman well past 40, her graying hair tucked under a worn hat. She was more than plump; her thick-ankled feet were thrust into low-heeled shoes. But she wore a red rose in the rumpled lapel of her brown coat.
The girl in the green suit was walking quickly away.
Blandford felt as though he were being split in two, so keen was his desire to follow the girl, yet so deep was his longing for the woman whose spirit had truly companioned and upheld his own; and there she stood. Her pale, plump face was gentle and sensible; he could see that now. Her gray eyes had a warm, kindly twinkle.
Lieutenant Blandford did not hesitate. His fingers gripped the small worn, blue leather of Of Human Bondage, which was to identify him to her. This would not be love, but it would be something precious, something perhaps even rarer than love - a friendship for which he had been and must ever be grateful.
He squared his broad shoulders, saluted and held the book out toward the woman, although even while he spoke he felt shocked by the bitterness of his disappointment.
"I'm Lieutenant John Blandford, and you - you are Miss Meynell. I'm so glad you could meet me. May...may I take you to dinner?"
The woman's face broadened in a tolerant smile. "I don't know what this is all about, son," she answered. "That young lady in the green suit - the one who just went by - begged me to wear this rose on my coat. And she said that if you asked me to go out with you, I should tell you that she's waiting for you in that big restaurant across the street. She said it was some kind of a test. I've got two boys with Uncle Sam myself, so I didn't mind to oblige you."
㈥ 推荐几个简单易读的英文原版小说
推荐几本小说,适合英语初学者或者喜欢通过看
英语小说提高英语水平的读者:
1:Half girlfriend
是一本没太多生僻单词,容易阅读的原版小说。
讲述的是两个印度年轻人爱情故事的小说。
开头用倒叙的手法讲诉男主来找作者并把女主
生前的日记交给他,但是作者担心惹事拒绝日记,
后来因为好奇心的驱使看完日记并联系男主,通过
男主的讲述了解了这两个年轻人的爱情经历。
通过该小说可以稍微了解一下印度的历史和文化,
是一本容易阅读并感人的小说。
2:From the distance star
虽然是一本面向青少年阅读的原版小说,但作为
成年人读起来也觉得很吸引人。讲述少女为了
拯救自己身患癌症面临死亡的爱人,去找巫婆要来
药剂,可是却发现爱人变成了一个外星人的故事。
故事中女主不断遇到很多困难,但同时也有很多的
好心人帮助了她,故事传递了一个思想是不要以貌取人,
也许有的人外表看起来很凶恶,很贫穷邋遢,
但其实他们的内心很善良,愿意帮助别人。
3:say goodbye for now
在美国种族歧视的大环境背景下,讲述了白人医生
lucy和白人孩子pete与一对黑人父子因为一条受伤
的狗引发的故事。
四个不同的人,不一样的苦难,他们的命运因为一只狗被交织在一起,平静又温暖的故事。
㈦ 英语短篇小说
经典英语短篇小说推荐如下:
1、密西西比河上的马戏团男孩 The Circus Boys On the M
简介: 本书是1910-1920出版的一套儿童系列丛书中的一本,讲述了两个男孩离家加入马戏团的故事。达灵顿先生用大师之笔,向我们描绘了马戏团生活的真实画面。...
2、Around the World in Seventy-Two Days
In 1888, Bly suggested to her editor at the New York World that she take a trip around the world, attempting to turn the fictional Around the World in Eighty Days into fact for the first time. A year later, at 9:40 a.m. on November 14, 1889...
3、The Aspern Papers
简介: With a decaying Venetian villa as a backdrop, an anonymous narrator relates his obsessive quest for the personal documents of a deceased Romantic poet, one Jeffrey Aspern. Led by his mission into increasingly unscrupulous behavior, he is ul...
4、At the Back of the North Wind
There was once a little boy named Diamond and he slept in a low room over a coach house. In fact, his room was just a loft where they kept hay and straw and oats for the horses. Little Diamonds father was a coachman and he had named his boy..
㈧ 简短的英文小说最好有中文翻译好写读后感的。拜托了
《The Last Leaf O Henry》Many artists lived in the Greenwich Village area of New York. Two young women named Sue and Johnsy shared a studio apartment at the top of a three-story building. Johnsy's real name was Joanna.
《最后一片藤叶》欧 亨利许多画家住在纽约的格林尼治村。两个名叫苏和约翰妮的女士共同住在三层楼房顶楼的一个小房间中。约翰妮的真实名字叫乔安娜。
In November, a cold, unseen stranger came to visit the city. This disease, pneumonia, killed many people. Johnsy lay on her bed, hardly moving. She looked through the small window. She could see the side of the brick house next to her building.
11月份,一次从未见过的感冒袭击了这座城市。感冒引起的肺炎死了许多人。约翰妮躺在床上几乎动不了了。她向窗外望着,只能看到靠近她这座楼的一座砖房的外墙。
One morning, a doctor examined Johnsy and took her temperature. Then he spoke with Sue in another room.
一天早晨,一位医生对约翰妮作了检查并测量了她的体温,然后在另一个房间与苏开始交谈。
"She has one chance in -- let us say ten," he said. "And that chance is for her to want to live. Your friend has made up her mind that she is not going to get well. Has she anything on her mind?"
他说:“她只剩下一次机会了——可以说只有10天的时间。这是她可以活下来的机会。你的朋友认为自己的病没法治了。她有什么牵挂吗?”
"She -- she wanted to paint the Bay of Naples in Italy some day," said Sue.
苏说:“她——她希望有一天能够在意大利画那不勒斯海湾。”
"Paint?" said the doctor. "Bosh! Has she anything on her mind worth thinking twice -- a man for example?"
医生说:“画画?白日做梦!她有什么事情值得再三牵挂的吗——比如一个小伙子?”
"A man?" said Sue. "Is a man worth -- but, no, doctor; there is nothing of the kind."
苏说:“一个小伙子?一个小伙子确实值得牵挂——但是可惜没有,医生;没有这样的小伙子。”
"I will do all that science can do," said the doctor. "But whenever my patient begins to count the carriages at her funeral, I take away fifty percent from the curative power of medicines."
医生说:“我会按照科学的方法竭尽全力。但是当我的病人开始掰手指头去数出席自己葬礼的马车数量时,我认为药效会降低50%。”
After the doctor had gone, Sue went into the workroom and cried. Then she went to Johnsy's room with her drawing board, whistling ragtime.
医生走后,苏走进绘画间痛哭失声。然后她带着约翰妮的画板,抽泣着走进约翰妮的房间。
Johnsy lay with her face toward the window. Sue stopped whistling, thinking she was asleep. She began making a pen and ink drawing for a story in a magazine. Young artists must work their way to "Art" by making pictures for magazine stories. Sue heard a low sound, several times repeated. She went quickly to the bedside.
约翰妮脸向着窗户侧卧着。苏停止了抽泣,以为约翰妮睡着了。她开始为一家杂志的一则故事画一张简笔画。年青的画家们必须通过为杂志做画来为艺术而努力。她听到了一个低低的声音,并且重复了许多次。她开始迅速走到床边。
Johnsy's eyes were open wide. She was looking out the window and counting -- counting backward. "Twelve," she said, and a little later "eleven"; and then "ten" and "nine;" and then "eight" and "seven," almost together.
约翰妮的双眼睁得大大的。她瞅着窗外数数——倒着数。她嘴里喃喃自语:“十二”,一小会儿后数到“十一”;之后是“十”和“九”;再后是“八”和“七”,不一会儿就数完了。
Sue looked out the window. What was there to count? There was only an empty yard and the blank side of the house seven meters away. An old ivy vine, going bad at the roots, climbed half way up the wall. The cold breath of autumn had stricken leaves from the plant until its branches, almost bare, hung on the bricks.
苏向窗外望了望。外面有什么好数的呢?只有一座空空如也的院子以及七米开外的一座房子的外墙。还有一棵年久的葡萄藤,根部已经腐烂,藤叶爬到了半墙高。秋天的寒气已经使藤叶脱落,藤枝几乎光光如也,攀附在砖墙之上。
"What is it, dear?" asked Sue.
苏问道:“亲爱的,怎么了?”
"Six," said Johnsy, quietly. "They're falling faster now. Three days ago there were almost a hundred. It made my head hurt to count them. But now it's easy. There goes another one. There are only five left now."
约翰妮静静地答道:“六片。它们现在掉得更快了。三天前还有大约100片。数它们数得我头直发痛。但是现在容易了。又掉了一片。现在只剩下五片了。”
"Five what, dear?" asked Sue.
苏问道:“亲爱的,五片什么?”
"Leaves. On the plant. When the last one falls I must go, too. I've known that for three days. Didn't the doctor tell you?"
“叶子。葡萄藤上的叶子。当最后一片叶子落下时,我也不得不走了。我知道还剩下三天了。医生没有对你说过吗?”
"Oh, I never heard of such a thing," said Sue. "What have old ivy leaves to do with your getting well? And you used to love that vine. Don't be silly. Why, the doctor told me this morning that your chances for getting well real soon were -- let's see exactly what he said - he said the chances were ten to one! Try to eat some soup now. And, let me go back to my drawing, so I can sell it to the magazine and buy food and wine for us."
苏说:“天哪,我从来没有听过这种说法。老葡萄藤叶与你病情好转有什么关系呢?以前你非常喜欢那棵葡萄藤。不要犯傻了。为什么呢,因为今天早上医生告诉我,你痊愈的机会不久就会出现——我们好好考虑一下他的话——他说痊愈的概率非常大!现在喝点汤吧。我去接着画画,好将画卖掉为买些食物与葡萄酒。”
"You needn't get any more wine," said Johnsy, keeping her eyes fixed out the window. "There goes another one. No, I don't want any soup. That leaves just four. I want to see the last one fall before it gets dark. Then I'll go, too."
约翰妮一边两眼紧盯着窗户,一边说道:“你用不着再去买葡萄酒了。又掉了一片叶子。不,我不需要什么汤了。那些叶子只剩下四片了。我想在天黑之前看到最后一片叶子落下。到时候我也该走了。”
"Johnsy, dear," said Sue, "will you promise me to keep your eyes closed, and not look out the window until I am done working? I must hand those drawings in by tomorrow."
苏说:“约翰妮,亲爱的,你能对我许诺把两眼闭上,直到我干完活再注视窗外吗?到明天我必须上交这些作品。”
"Tell me as soon as you have finished," said Johnsy, closing her eyes and lying white and still as a fallen statue. "I want to see the last one fall. I'm tired of waiting. I'm tired of thinking. I want to turn loose my hold on everything, and go sailing down, down, just like one of those poor, tired leaves."
约翰妮闭上双眼,脸色苍白地躺在床上,俨然一具摔碎的雕像,说道:“你一画完就告诉我,我想看着最后一片叶子落下。我等不及了。我懒得思考了。我想对一切都无所谓了,慢慢地死去,就如同一片可怜的、风雨飘摇的叶子。”
"Try to sleep," said Sue. "I must call Mister Behrman up to be my model for my drawing of an old miner. Don't try to move until I come back."
苏说:“尽量睡一会儿吧,我必须给贝尔曼先生打电话,让他作我所画的一幅老矿工画像中的模特。在我回来之前,不要动了。”
Old Behrman was a painter who lived on the ground floor of the apartment building. Behrman was a failure in art. For years, he had always been planning to paint a work of art, but had never yet begun it. He earned a little money by serving as a model to artists who could not pay for a professional model. He was a fierce, little, old man who protected the two young women in the studio apartment above him.
老贝尔曼是住在这座楼地下室的一个画家。在画画上他是一名失败者。许多年了,他始终在计划画出一幅杰作,但却从未着手。他通过为付不起专业模特费用的画家当模特挣一丁点钱。他是一位保护楼上两位女士的勇敢的、不起眼的老头。
Sue found Behrman in his room. In one area was a blank canvas that had been waiting twenty-five years for the first line of paint. Sue told him about Johnsy and how she feared that her friend would float away like a leaf.
苏在贝尔曼的房间中找到了他。在屋子的一角是一张已经等了25年以便进行创作的空白画布。苏将约翰妮的病情以及她对于自己的朋友如同一片叶子一样时刻会随风而逝的恐惧告诉了他。
Old Behrman was angered at such an idea. "Are there people in the world with the foolishness to die because leaves drop off a vine? Why do you let that silly business come in her brain?"
老贝尔曼对这样一种想法非常生气:“世界上有傻得因葡萄藤叶落下而自愿等死的人吗?你为什么会让她产生这样的愚蠢想法?”
"She is very sick and weak," said Sue, "and the disease has left her mind full of strange ideas."
苏答道:“她奄奄一息了,病情使她脑子里满是奇思怪想。”
"This is not any place in which one so good as Miss Johnsy shall lie sick," yelled Behrman. "Some day I will paint a masterpiece, and we shall all go away."
贝尔曼吼道:“这不是一个约翰妮小姐可以好好养病的地方。有一天我会完成一幅杰作,好让我们都可以搬出去。”
Johnsy was sleeping when they went upstairs. Sue pulled the shade down to cover the window. She and Behrman went into the other room. They looked out a window fearfully at the ivy vine. Then they looked at each other without speaking. A cold rain was falling, mixed with snow. Behrman sat and posed as the miner.
当他们上楼时,约翰妮正在睡觉。苏将窗帘放了下来以挡住窗户。她与贝尔曼走进另一个房间。他们惊恐地望着窗外的那棵葡萄藤。然后他们无声地对视了一下。一场阴雨正在下着,其中还夹杂着雪花。贝尔曼坐了下来,开始摆出矿工的姿势。
The next morning, Sue awoke after an hour's sleep. She found Johnsy with wide-open eyes staring at the covered window.
第二天早上,苏在睡了一小时觉之后醒来。她发现约翰妮大睁着双眼看着被挡住的窗户。
"Pull up the shade; I want to see," she ordered, quietly.
她小声地命令道:“拉开窗帘;我想看看。”
Sue obeyed.
苏照做了。
After the beating rain and fierce wind that blew through the night, there yet stood against the wall one ivy leaf. It was the last one on the vine. It was still dark green at the center. But its edges were colored with the yellow. It hung bravely from the branch about seven meters above the ground.
在经历了一夜的狂风暴雨之后,在墙上还剩下一片叶子。这是这棵葡萄藤最后一片叶子了。叶子的中间依然绿中透黑。但是叶子的边上透着黄色。它勇敢地挺立在距离地面七米高的葡萄藤枝上。
"It is the last one," said Johnsy. "I thought it would surely fall ring the night. I heard the wind. It will fall today and I shall die at the same time."
约翰妮说:“这是最后一片叶子了。我以为昨天晚上它就会掉下来。我听到了风声。今天它就会掉下来,同时我也会走了。”
"Dear, dear!" said Sue, leaning her worn face down toward the bed. "Think of me, if you won't think of yourself. What would I do?"
苏一边将她苍白的脸扭到床的另一侧,一边说道:“亲爱的,亲爱的!即使你不考虑自己,也应该想想我。我能够怎么办呢?”
But Johnsy did not answer.
但是约翰妮没有应答。
The next morning, when it was light, Johnsy demanded that the window shade be raised. The ivy leaf was still there. Johnsy lay for a long time, looking at it. And then she called to Sue, who was preparing chicken soup.
第二天早上,当天亮的时候,约翰妮命令打开窗帘。葡萄藤叶子依然挂在那里。约翰妮躺在床上等了好长时间,双眼紧盯着这片叶子。然后她招呼正在做鸡汤的苏。
"I've been a bad girl," said Johnsy. "Something has made that last leaf stay there to show me how bad I was. It is wrong to want to die. You may bring me a little soup now."
约翰妮说:“我始终是一个荒唐的女孩子。最后一片叶子依然挂在那里的事实说明了我是多少的荒唐。等死是错的。现在你可以喂我一口汤了。”
An hour later she said: "Someday I hope to paint the Bay of Naples."
一个小时之后,她说:“我希望有一天能够画那不勒斯海湾。”
Later in the day, the doctor came, and Sue talked to him in the hallway.
这一天晚些时候,医生来了,苏在走廊上与他交谈。
"Even chances," said the doctor. "With good care, you'll win. And now I must see another case I have in your building. Behrman, his name is -- some kind of an artist, I believe. Pneumonia, too. He is an old, weak man and his case is severe. There is no hope for him; but he goes to the hospital today to ease his pain."
医生说:“治愈的成败机会是均等的。精心照料你就会成功。现在我必须去看一下这座楼里的另外一位病人。他的名字叫贝尔曼——我想是一位画家。他患的也是肺炎。他是一个年老体弱的老头,病情非常严重。对他来说没有希望了;但是今天他才去医院治疗。”
The next day, the doctor said to Sue: "She's out of danger. You won. Nutrition and care now -- that's all."
第二天,医生对苏说:“她脱离危险了。你成功了。现在需要的就是营养与照料了。”
Later that day, Sue came to the bed where Johnsy lay, and put one arm around her.
那天晚些时候,苏来到约翰妮躺的病床旁边,用一只胳膊抱着她。
"I have something to tell you, white mouse," she said. "Mister Behrman died of pneumonia today in the hospital. He was sick only two days. They found him the morning of the first day in his room downstairs helpless with pain. His shoes and clothing were completely wet and icy cold. They could not imagine where he had been on such a terrible night.
她说:“小东西,我有话要对你说。今天贝尔曼先生在医院去世了。他病了两天。第一天早上,人们在他的地下室发现了病入膏肓的他。他的鞋子与衣服全湿透了,并且冰冷异常。人们不能想象出在这样一个风雨交加之夜他去哪儿了。”
And then they found a lantern, still lighted. And they found a ladder that had been moved from its place. And art supplies and a painting board with green and yellow colors mixed on it.
“然后,人们发现有一盏灯依然亮着。人们发现这盏灯的位置挪动了。旁边还有一些画画用的东西以及着了绿黄颜色的一张画板。”
And look out the window, dear, at the last ivy leaf on the wall. Didn't you wonder why it never moved when the wind blew? Ah, darling, it is Behrman's masterpiece - he painted it there the night that the last leaf fell."
“亲爱的,向窗外望一下,看看墙上挂着的那片葡萄藤叶子吧。你没有想过刮风之时它为何纹丝不动吗?哦,亲爱的,那是贝尔曼先生的杰作——就在那片叶子落下的晚上,他将它画了下来。”